Meet Megan Grinder

From the time I can remember, I have loved creating art. If I wasn’t outside playing in the dirt, you could find me coloring, drawing, or painting, and not much has changed. 

In grade school, art days were my favorite, and in college I added in some visual arts classes to balance out a rigorous academic schedule, not realizing that in doing so I was charting a career path.  I always assumed art would be a hobby or side-line but quickly realized I needed to figure out how to keep art at the center of my career, so a few years after college I began taking commissions for oil portraits and never looked back. 

I enjoy painting with watercolor, oil, and with acrylics and like how each type of paint allows me to express something different.  I still paint portraits, but I also enjoy creating other types of paintings as well – landscapes, floral and figurative paintings, abstracts, and more.  I’m just really having fun with art like I did as a kid!  I hope you’ll see something that you enjoy looking at as much as I enjoyed creating it.

Artist Biography

Megan Grinder is a contemporary painter working in oil, watercolor, and acrylics.   

She attended Princeton University, graduating Cum Laude with an A.B. degree in visual arts and art history.  Megan also studied painting and drawing at the Marchutz School in Aix-en-Provence, France, and has trained with nationally recognized artists Daniel Greene, Nancy Cheairs, and Michael Shane Neal.

Megan is a native Memphian and resides in Memphis with her husband, Brett, and their two children. Her works have been shown in Memphis and Princeton and hang in private collections in cities across the country from Seattle to New York.

DeSoto Magazine

exploring art | Megan Grinder

By Pam Windsor

Memphis painter Megan Grinder has always loved art. “I really can’t remember a time when I didn’t do art,” Grinder says. “At school, I would always gravitate to the easel, and it was always like play, which it was when I was little.”

In fact, that’s how she saw creating art growing up, something she did for fun, as an escape from schoolwork, or later, as a welcome break from a heavy college course load.

She never considered art as a viable career option until her sophomore year at Princeton. Grinder planned to study architecture in graduate school and thought majoring in art history as an undergraduate would serve as a good complement to that career. A professor told her about a dual visual arts and art history program. Grinder applied and got accepted. That program opened new doors for her into the world of art.

“I got to study painting in France which was a wonderful opportunity,” she recalls. “I got a lot more technical instruction and color theory there, the kind of thing I didn’t really get at Princeton. And, that same summer I took a portraiture seminar in Brittany from an artist named Daniel Greene. That was really the first time I deliberately painted people.”

  • Painting people intrigued her, and Grinder wanted to delve deeper. “It led me to do a whole body of work for my senior thesis in college on faces and facial details and light acting on faces. That was sort of what gave me the background and confidence to try my hand at portraiture.”

    Still, even after college, Grinder took a different career path and got a “normal job,” until she realized that she missed having art in her life. She took an art class in Atlanta where she was living at the time, and when she moved back home to Memphis where she was planning to get married, she began seriously thinking about becoming a portrait artist.

    “So, I borrowed a neighbor’s child,” she says with a laugh, “and painted a portrait of her, and that portion of my business just grew from word of mouth.”

    That was nearly 25 years ago. Now, she is a well-established painter known for her works with oils, watercolors, and acrylics. She does portraits, but landscapes as well, and stays busy doing commissioned work with both. She has become sucessful but still creates art for the sheer joy of it and recently launched a series on strong women, featuring famous women who have served as strong role models and sources of inspiration.

    “This sort of came out of this entire past year and me needing something to uplift me and help deal with a little bit of the seeming chaos in the world related to the election, the pandemic, and various other things,” she explains.

    Her first was a portrait of Supreme Court Justice, Ruth Bader Ginsburg.

    “When Justice Ginsburg passed away in the fall, I’d admired her and different things she stood for, including her ability to maintain cordiality and friendships with people with whom she disagreed,” Grinder says. “So, I wanted to do something that just sort of captured that and honored someone I viewed as a strong woman who had really made a difference in this world.”

    When Grinder posted her finished piece on Facebook, it was so well-received she decided to sell prints with some of the proceeds going to A Step Ahead Foundation, a non-profit organization that helps young women in the Memphis area.

    “So, I offered the print of the painting and I just knew there was more,” she says. “Then I started thinking about what makes me happy, and I love Dolly Parton and what she stands for. At the time, I had no idea that she had donated to the Moderna vaccine. (Parton donated $1 million to Vanderbilt University to help fund research efforts for a COVID-19 vaccine.) And when I finished the painting and posted a picture of it, it was Dolly’s birthday which wasn’t planned at all.”

    She has since completed additional paintings of poets Amanda Gorman and the late Maya Angelou and says others will follow. Print sales from each will support different non-profits.

    Even after so many years at her craft, Grinder still enjoys the challenge of creating new pieces of art. “It’s the satisfaction of capturing something on paper that I had in my head, or maybe even something better than what I had in my head. It’s the playfulness of it.”

    She has also appreciated the flexibility it has given her as a career, allowing her to be present while raising her children, as well as being available for other things needing her time and attention. She admits she’s never planned or worried too much about what might come next.

    “I’ve really tried not to worry too much about the big picture and where I’m heading or what I’m trying to accomplish,” she says. I’m really more focused on enjoying the work and greeting the next opportunity as it comes.”

River City Lifestyle

Megan Grinder’s Strong Women Portrait Series – Celebrating Beauty Strength and Grace

Article By Jeannie Tabor, Photography By Sarah Bell Sélavie Photography

Often difficult times help us find beauty in new places. Megan Grinder’s strong women portrait series began as a reaction to the death of Justice Ruth Bader Ginsburg amid a pandemic and a tumultuous time in our country. “Rhetoric in the 2020 election was so heated and divisive, and the passing of a justice who had been a longtime champion of women’s rights kind of pushed me over the edge. I felt like I had to do something,” Megan says. So she sat on her back porch and painted all day until she had finished the portrait of Ginsburg, with beautiful pink lilies sprouting from her head.

Buoyed by strong positive reaction to the Ginsburg portrait on Instagram, Megan continued painting several more well-known strong women, including Maya Angelou, Julia Child, Amanda Gorman, Lady Liberty, Dolly Parton, Pink!, Pat Summitt and Betty White, all adorned with floral crowns. Megan says, “The flowers depict beauty, strength and grace. Strong things can come in beautiful packages and can be powerful and vulnerable at the same time.” Megan chooses flowers that represent her subjects, like roses for Betty White to symbolize her beloved character, Rose Nylund, on Golden Girls.

  • How does Megan select her subjects? Megan says they are all women who bring light into the world. “They elevate the conversation in some way and are strong, admirable, accomplished women who retain their femininity. Plus, they have to strike a chord with me. Their words, works, and being have to make me feel better about the world.”

    Next up on the easel are Queen Elizabeth II and Jane Goodall. There is no one who is taboo, but Megan says she has no desire to paint anyone who is controversial or policitally polarizing. “They have to be women I perceive to be elevating the conversation, rising above petty opinions.”

    Megan’s creative process takes place in her home studio, under a north-facing skylight. She first chooses a primary image of her subject, then creates a crown byt layering and arranging floral images digitally. After the reference image is assembled, she creates a drawing and transfers it to watercolor paper, where she begins applying paint.

    Megan has always loved creating art. As a child, if she wasn’t outside playing in the dirt, you could find her coloring, drawing, or painting. And today, not much has changed. A strong woman in her own right, she is an alumna of Hutchison and of Princeton University, where she graduated Cum Laude with a A.B. degree in visual arts and art history. She also studied painting and drawing in Aix-en-Provence.